25.6.11

How its made?

Enjoy and Listen to my Playlist !!!!!
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::::::                       "By painting colors and lines and forms seen in quickened mood I
                           was seeking to make this mood vibrate as a phonograph"; Edvard
                           Munch

Many people have asked me in the past how do you achieve the vibrancy & ecality in your work? BREAK IT DOWN @ EVERY STAGE. One object is composed of many small shapes and sizes!

                                                                        My Version
  
Original 
                                                      
  • 9 flower petals
  • 6 leaves                                                        26 PARTS
  • 5 hand areas (wrist, 3 fingers)
  • + 3 including nails
  • 3 extras ---------------------------------------------------------------------- !!!!!!!!!!!!!!!!
  •  As a new artist I suggest that any photography is broken into sections 
  • If so, nine parts wont be overwhelming
  • When areas are small the artists eye will be more aware of small details such as dark shadows or dark colors fading into light tones (of the same color) such as the rim of the finger blending into the outer rim of the finger that is almost a clear glow
  • EG: Underneath a nail of a finger is a dark tone that resembles an orangeny colour that does not follow skin tone
                                                              A Close Up
On the petals there is a shimmer of dark blue that darkens at the folds within the flower and lightens to white that expands to the end of the petals

To highlight the folds within the petals dark blue was used so that there is a sense of movement and flow for each individual petal

To make a difference between forground and backround dark blue was used with a mix of darker shades.... less white was visible

Wherever light hits thats where the color is the darkest... eg: in the center of the flower following outwords, the creases in each petal, and the back petals

At times it may be neccesary to go back on a dry canvas and add the same color at the same area so that the ridge or crease can be accented...if not it may not be as noticable due to the fact that it is one netural dark blue 
                
              blue used with blue = shows no constrat/neutral and monotone
                                                                 or 
              blue used with dark blue = shows constrat
                                                                      
             white1st tone/2nd tone/3rd tone/4th tone/5th tone = a guide of colors


On the thumb the darker shade is more on the rim of the finger and lightens as the color follows up words....exposing a white glow!

Caramel/Yellow is used for the creases in the fingers